The Second Five Musical Pieces on TumbleStone

The first five TumbleStone Posts which included music in them are listed in a previous Post. These are the next five, all posted in April 2016.

6) “‘Maralitja’ (Crocodile Man)” – This song is used in this Post in relation to a polished stone that reminded me of the rough tough skin of the crocodile. A song by the Australian group Yothu Yindi, it comes from the Album “Tribal Voice” (1991). Formed in 1986, Yothu Yindi included both aborigine and non-aborigine members, under the leadership of Mandawuy Yunupingu. Their music blends aboriginal styles with modern rock. The group is best known for “Treaty“, written by Australian musician Paul Kelly and Yothu Yindi members. Mandawuy Yunupingu said about its origins: “Bob Hawke visited the Territory. He went to this gathering in Barunga. And this is where he made a statement that there shall be a treaty between black and white Australia. Sitting around the camp fire, trying to work out a chord to the guitar, and around that camp fire, I said, ‘Well, I heard it on the radio. And I saw it on the television.’ That should be a catchphrase. And that’s where ‘Treaty’ was born.” 

7) “Day in a Boat: The other world was here…” – Runrig‘s song comes from its 1995 Album “Mara”. This folk-rock band was formed in the early 1970s in the Scottish Islands and they have maintained key parts of their Island identity – the frequent use of the Gaelic language and an awareness of the region’s historical, political and environmental issues. “Run-rig” was a set of narrow strips that were part of the traditional semi-communal farming system of the Highlands and Islands.

8) “I’ll put a pebble in my shoe…” – “By My Side” is a song from “Godspell”, the 1973 movie based on a stage show. “Godspell” is structured as a series of parables, primarily based on the Gospel of Matthew. This is the only song I know of at this time that actually refers to a “pebble”. The pebble is itself a parable, of a reminder for the dare to walk along the path of faith.

9) “Scatterlings of Africa” – Juluka was a multi-racial South African group formed in 1969 by Johnny Clegg and Sipho Mchunu. It blended Zulu musical styles with rock music. Clegg had learned Zulu dancing when young and often performed it on stage, and became known as the “White Zulu”. He also trained as an anthropologist and wrote several academic papers on Zulu music and dance. Juluka was naturally very unpopular with the government of Apartheid South Africa. When it disbanded in 1985, Clegg went on to form Savuka a year later. “Scatterlings of Africa” was on Juluka’s 1982 Album “Scatterlings” and was re-recorded to more international success by Savuka in 1987 in their Album “Third World Child”. Clegg wrote a tribute to Nelson Mandela, the song “Asimbonanga” (meaning “We have never seen him”). In a concert in Frankfurt in 1999, Mandela surprised Clegg on stage with a visit. Suffering pancreatic cancer, Clegg performed his last scheduled tour concert in October 2018.

10) “The song that is deep in the soul of all people…” – This is another Runrig song, this time from their 1993 Album “Amazing Things”. See #7 above for brief comments on Runrig.

The next ten musical pieces used in TumbleStone Posts can be found here.

The First Five Musical Pieces on TumbleStone

The following TumbleStone Posts are the first five which included music, using embedded YouTube clips. These were all posted in April 2016. Often the music is simply linked to a characteristic of a stone, especially a colour or a pattern.

1) “Gabriel’s Stone: A Musical Meditation” – This Post uses “Gabriel’s Oboe”, written by Ennio Morricone, an instrumental piece from the movie “The Mission” (1986), one of my top ten rated movies. “Gabriel’s Oboe” is played by the Munich Radio Orchestra conducted by Ennio Morricone, in a live concert in Munich, 2005.

2) “A Touch of ‘Blue’…” – Lucinda William’s song, “Blue”, refers in this Post to the blue flashes within a polished stone. The song is off Williams’ 2001 Album “Essence” which heralded her move from country to more alternative folk-rock. Her scratchy and tired vocal suits the song perfectly, the lyrics having been described as “heartbreaking laconic poetry”. Williams’ best-known song is perhaps the lively “Passionate Kisses“, while some of her later work could be described as darker and more angry.

3) “Changes Come…” – This is the final song on Disc One of the two-disc Album “Ohio” by Over The Rhine. Over the Rhine is an Ohio-based band, the core of which is the husband-and-wife team of pianist-guitarist-bassist Linford Detweiler and vocalist-guitarist Karin Bergquist. The band is named after the Cincinnati, Ohio neighborhood of Over-the-Rhine. Their style has been described as “an eclectic mix of folksy art-pop and rock with occasional excursions into jazz”. There is a down-to-earth subtle Christian sensibility to their music – “The light, the dark both running through me…”, something that can be seen in stones as well as in people’s lives. My most favourite song of all time is one of theirs: “I want you to be my love”. Rated not far behind is their “Born“.

4) “Raining on the Rock…” – John Williamson is an Australian folk singer with the ability to convey with insight and power the landscapes and people of his country. His musicianship with the guitar is outstanding. “Raining on the Rock” is one of his strongest and best-known songs, released in 1987 on the Album “Mallee Boy”. Sometimes Williamson can be wickedly funny (“Old Man Emu”, “Bill the Cat” and “The Vasectomy Song”) or sweetly romantic (“Boomerang Cafe”, “You and My Guitar” and “Special Girl”) or deeply touching (“Cootamundra Wattle”, “Galleries of Pink Galahs” and “A Bushman Can’t Survive”) or deeply patriotic (“A Flag of our Own”, “True Blue” and “Diggers of the Anzac”) but strongly critical of war (“And the Band Played Waltzing Watilda”, “Only 19” and “We Will Stop the War”), and a powerful environmental advocate  (“Goodbye Blinky Bill”, “This is Australia Calling”, “Dingo” and “Rip Rip Woodchip”). I saw John Williamson having coffee in a mall in Hamilton one day – he was in town to give a concert. I approached him and explained that I appreciated his music, used some of his songs in my lectures, and that I called my first Dexter-cross calf “Special Girl”. He generously invited me to sit with him for a while.

5) “Summer Comes…”: This phrase, capturing the summer-like light from a yellow and white quartzite, comes from The Decemberists’ song, “June Hymn” (from 2011 Album “The King is Dead”). The Decemberists are an American indie rock band from Portland, Oregon. Colin Meloy provides their rather distinctive voice, at times drone-like. The band’s name refers to the Decembrist revolt, an 1825 insurrection in Imperial Russia. Meloy has stated that the name is also meant to invoke the “drama and melancholy” of the month of December. Some of their songs can be described as epic story-telling, others are whimsical, or highly stylised, often literate, and then there are upbeat, often lush, songs, like “June Hymn“.  The Urban Dictionary calls The Decemberists “the most excellent historical/literary indie rock/pop band that ever hit the airwaves”.

The second five musical pieces used in TumbleStone Posts can be found here.

“Valley’s deep and the mountain’s so high…”

“Landscape stone”, collected from a Riverton Beach in 2018, polished mid-2019. I can see valleys and mountains there (the line in the Post title is from the start of “Hymn” by Barclay James Harvest). Such intriguing colours and patterns, layered and criss-crossed with lines of silica. Possibly petrified wood, possibly jasper, possibly something else, mysterious… Reminds me of valleys in the distance, of mountains in the mist, a Japanese watercolour landscape…

Barclay James Harvest, the group that sings this song, is an English “progressive rock” band, formed in 1966. To obtain their name, each of the band members wrote single words on pieces of paper which were drawn out of a hat one by one until only three were left: James, a guy who used to sing with the band, Harvest because they were living in a farmhouse, and Barclay after the bank, because they aspired to make money. These were then rearranged until they arrived at the best-sounding name – “Barclay James Harvest”. “Hymn” appeared on their 1977 album, “Gone to Earth”, and my wife has a vinyl copy of it. 

On its website, the Band says this about “Hymn”: Originally titled “Hymn For A White Lady”, the song is primarily about the dangers of drug abuse, contrasting their illicit thrill with the spiritual “high” of Christianity, although many DJs and listeners have taken it for a straightforward Christmas song. The now traditional shouts of “yeah!” from the fans at the finale of the band’s live shows date back to early performances of the song, where John dedicated it to rock stars who had fallen victim to drugs, saying “let’s hear it for Jimi Hendrix… Paul Kossoff… Janis Joplin…” etc., and fans responded with a roar of approval.

One of the more famous performances of “Hymn” was at a 1980 free concert in front of the Reichstag in West Berlin, with an estimated audience of 250,000 – the version from YouTube posted below. They were the first Western rock band to perform in an open-air concert in East Germany (after Glasnost had begun in the Eastern bloc but over two years before the Berlin Wall fell), playing in Treptower Park, East Berlin in 1987 to more than 170,000 people. 

The original recording (1971), with a slightly different sound (no single leading vocal, more keyboards):

“Hymn” by Barclay James Harvest

Valley’s deep and the mountain’s so high
If you want to see God you’ve got to move on the other side
You stand up there with your head in the clouds
Don’t try to fly you know you might not come down
Don’t try to fly, dear God, you might not come down

Jesus came down from Heaven to earth
The people said it was a virgin birth
Jesus came down from Heaven to earth
The people said it was a virgin birth

He told great stories of the Lord
And said he was the saviour of us all
He told great stories of the Lord
And said he was the saviour of us all

For this we killed him, nailed him up high
He rose again as if to ask us why
Then he ascended into the sky
As if to say in God alone we soar
As if to say in God alone we fly

Valley’s deep and the mountain’s so high
If you want to see God you’ve got to move on the other side
You stand up there with your head in the clouds
Don’t try to fly you know you might not come down
Don’t try to fly, dear God, you might not come down