Twelve Stones, Part Two

I recently presented 12 tumble-polished stones to Tony in appreciation for his support when I undertook work with him in the dairy industry. Part One of this series of Posts described Stones #1 to #3. This Post deals with the characteristics and origins of Stones #4, #5 and #6, and later Posts will examine Stones #7 to #12. 

These are the 12 stones:

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4) Stone #4 Pink Granite

This stone was found at Riverton in February 2018. Granite is a coarse-grained igneous rock, made up of quartz, feldspar and mica. Its grains are large enough to be seen by the unaided eye. Pink Granite is given its colour by a larger proportion of potassium feldspar. Granite is found exposed at various places on Stewart Island and the western part of the South Island. It can be seen along the coast between Colac Bay and Orepuki in Southland, and stones of Pink Granite can often be found on southern beaches. Click on the photos below to see their captions.

5) Stone #5 Finely Banded Rhyolite(?)

This stone was found at Orepuki, Southland, on Gemstone Beach in April 2016. I have collected a number of such stones before on southern beaches and find them fascinating as they conjure up the image of cosmic gas trails in faraway starfields. A fellow stone collector once told me they were Rhyolite but it is difficult to confirm this from the various online and published sources on Rhyolite, maybe due to the distinctive pattern on these particular stones.

Rhyolite is very similar in chemical composition to Granite. But while Granite has crystals that are generally easy to see, in Rhyolite the crystals are often too small to see. This is due to the more rapid cooling of the Rhyolite lava at the earth’s surface compared to granite’s slower cooling magma within the earth.

Examples of other Rhyolite stones found at Orepuki or Riverton:

Orepuki is a small village on a sparsely settled part of the southern coast. Gold was mined in the district during the last two decades of the nineteenth century, and in the 1880s the southernmost Chinese settlement in the world was to be found there. The beach just to the north of Orepuki is called Gemstone Beach – it is said that semi-precious gems such as garnet, sapphire, jasper, quartz and nephrite can be found on the beach, along with hydrogrossular stones and argillite stones containing fossil worm casts. (The garnets, sapphires and nephrite are extremely rare.) Gold can also be found in patches of black sand at low tide.

Location of Orepuki (source: Google Maps):

Orepuki location

6) Stone #6 Marble(?)

I found this stone also on a Riverton beach. I don’t know what type of stone this is, but it reminds me of Marble. Marble is formed out of limestone which is subjected to the heat and pressure of metamorphism. It is composed primarily of the mineral calcite and in its pure form is white. However, it can also contain other minerals, such as clay minerals, micas, quartz, pyrite, iron oxides, and graphite, which provide colouring. Veined and patterned Marble, as this stone could be, is often created when a pure white original Marble is cracked or shattered and the spaces between the fragments are filled with other materials.

Stones #7 to #9 are described in Part Three.

Twelve Stones, Part One

I recently presented 12 of my polished stones to a work colleague in appreciation. 

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I took on the job of Assistant to an AB Technician in the dairy industry for three weeks, at the height of the insemination season. This was a completely new experience for me and I enjoyed it a lot, largely due to the support and patience of Tony, the Technician I was assisting. I chose to give him 12 stones because I spent a lot of time preparing the 12 inseminator implements that he regularly used. Below is a photo of inseminators being loaded (a straw of bull semen is loaded into the end of each inseminator, its plug snipped off with scissors, then a plastic sheath is threaded over it to hold in place).

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These are the twelve stones:

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I am taking the opportunity in this Series of Posts to dig into aspects of different types of stones and the places from which they were collected. This first Post will describe Stones #1 to #3, with the rest dealt with in Parts Two, Three and Four.

1) Stone #1 Dark Red Jasper

I found a rock in April 2016 near Waikaka in Eastern Southland. It was embedded in a farm track on “The Mains”, the farm on which I grew up. Red Jasper is a rock to be found as part of the Waikaka quartz gravels which contain the gold mined in the area between the 1880s and 1920s. There is an old gold dredging pond about 100 metres north of the track. I extracted this large Jasper rock and took it home with me to Karapiro on the plane. Later I broke off a few pieces to tumble-polish. Due to the brittle nature of the rock, I did not completely smooth the stones out before their final polish. (Click on the photos below to view them and see their accompanying captions.)

Location of Waikaka at the bottom of the South Island (source: Google Maps):

Waikaka location

More on Jasper as a gemstone.

Other TumbleStone posts referring to “The Mains”: Maps as a Resource: New Zealand’s “Maps Past”, Part One; Maps as a Resource: New Zealand’s “Maps Past”, Part Two; Jasper Stones and Petrified Wood, Shepherd’s Creek, Waikaka; and “You run from the river, when it long ran over you…”

2) Stone #2 Granite or Basalt Porphyry, containing Feldspar Crystals

I found this stone at Riverton, Southland, in September 2018. This type of stone, while not numerous on Riverton beaches, is not rare and one is likely to be found within 10 to 15 minutes of searching. Its most obvious and interesting characteristic is the lighter-coloured feldspar crystals packed into the darker surrounding matrix. This indicates the stone is of volcanic origin, and is probably either basalt or granite. “Porphyry” is a term for the texture of an igneous rock consisting of large-grained crystals, such as feldspar or quartz, lodged in a fine-grained silicate rich matrix. These crystals formed within magma underground – this material then reached the earth’s surface and cooled relatively quickly, “trapping” the crystals in fine-grained rock. The crystals can vary in size, as shown in these three photos from the Riverton Museum “Te Hikoi” (these photos were taken with the permission of Museum staff in December 2016):

The Riverton Museum often has a display of local stones types, usually set up for children. The well-known geologist Hamish Campbell has been instrumental in putting this together. In 2017, the Museum developed a five-page pamphlet as a guide for children and families to collect nine different types of stones from the area between Riverton and Orepuki.

Rock Type 1 “Volcanic Rocks” would include Granite and Basalt Porphyry. Reference.com provides the following explanation of the differences between Granite and Basalt: Granite is an intrusive rock that is formed when magma cools inside the crust. This slow cooling gives time for crystals to grow, making it more coarsely grained than an extrusive rock, formed at the earth’s surface. Basalt, on the other hand, is an extrusive rock, with a smooth texture from rapid cooling, usually by water. Granite has a high silicon content; it is mostly made out of quartz, mica and feldspar. Basalt contains more calcium oxide, manganese oxide and iron compounds than granite. I am unable to exactly identify Stone #2. Granite stones can easily be found in the Riverton area (see Stone #4) but Stone #2 seems to be less coarsely grained than Granite.

Location of Riverton (source: Google Maps):

Riverton location

3) Stone #3 Unknown Variegated Green Stone

This stone, found at Riverton in February 2018, is darker green towards the thicker end, with the other end being a lighter green. When slowly rotated in the light, small specks of mica can be seen at the darker end. It is probably a metamorphic stone having been subject to significant heat and pressure at some stage. So I looked up metamorphic rocks in “A Photographic Guide to Rocks & Minerals in New Zealand” (2011), written by Nick Mortimer, Hamish Campbell and Margaret Low. Page 20 (see below) has a basic classification which led me to consider whether at least part of this stone could be “Hornfels”. Page 119 (also see below) mentions that Hornfels contains “small micas” and that some occur in the Bluff area, which is along the coast not far south-south-east of Riverton. 

Many of the stones on Riverton beaches are thought to have come down the Waiau River whose mouth is about 50 kms westwards.

Stones are often unique in their shape, size and patterns, and contain a range of elements, layers, intrusions and so on, which make them very difficult to identify with certainty. Chemical analysis is often needed. Stone #3 remains unidentified.

Stones #4 to #6 are described in Part Two.

Hard Won and Well Deserved! The Final Thesis Milestone

I supervised Charlotte’s Masters thesis, The Price of Pain: Studying Strategies Used by Women with Chronic Pain Disability to Sustain Worker Identity. As each chapter was completed, Charlotte chose a “milestone”, a polished stone to symbolise significant progress. This is the final milestone, chosen to signify the end of the journey. A fitting stone for a gem of a thesis!

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UPDATE

One year later, the “milestones” are still functioning as intended. Charlotte posted a comment and photo on Facebook:

“Someone came to replace my computer at work and noticed my milestones. They sit on my desk and are a reminder of how anything can be achieved one small step at a time. Still some of my favourite things and a wonderful reminder of each small step and the people who helped along the way.”

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Slapton Sands, Part Six: The Beach Stones Polished

The 59 stones from Slapton Sands were put through the usual five-week cycle of tumble smoothing and polishing – one week each of tumbling with 100 grit, then 220 grit, then 320 grit, then a tin oxide pre-polish, then a tin oxide pro-polish:

Comparing some of the polished stones with what they looked like “in the rough”:

See also the following Tumblestone Posts: Slapton Sands, Part One: A Visit, Mid-2016; Slapton Sands, Part Two: The Protective Significance of the Shingle Beach; Slapton Sands, Part Three: The Historical Significance of a Shingle Beach – The 1943-44 Evacuation; Slapton Sands, Part Four: The Tragedy of “Exercise Tiger”; Slapton Sands, Part Five: Beach Stones in the Rough.

 

 

“It Dawned on Me” – I’ll light a beacon

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“It Dawned on Me” by Dave Dobbyn

There’s a black blue front stole the west horizon
Under ocean song hear the tolling bell
On the seventh wave rides my aspirations
They will break, for sure, all my dreams to tell
It dawned on me
It dawned on me
It just dawned on me
This must be what your heart reveals

Blood red bloom pohutukawa
The black dunes hiss with the grasses’ breath
I’ll gather my driftwood and light a beacon
It’s for you I cry, it’s for you I burn
It dawned on me
It dawned on me
It just dawned on me
This must be what your heart reveals

And hey! It just dawned on me for the first time
This must be what your heart reveals

It dawned on me
It dawned on me
It dawned on me
This must be what your heart reveals.

Another Visit to Birdlings Flat, Late June 2016 – Part Two: Birdlings Flat Gemstone Museum Again

The second day of our visit to Birdlings Flat, Petra and I visited Vince and Colleen Burke’s Gemstone and Fossil Museum on Hillview Road. This time, Colleen opened up the Museum for us and we got to talk with her about Birdlings Flat and the stones in the collection. Vince then took over from her after about 15-20 minutes. Petra bought a good-sized batch of agatised wood which we will have a go at polishing sometime. Vince generously gave her three pieces of polished agatised wood, to give her an idea of the end product of polishing.  Agatised wood is a form of petrified wood and is in effect a fossil. It forms when plant material is buried by sediment and thus protected from the decaying action of oxygen and organisms. Groundwater rich in dissolved solids flows through the sediment replacing the original plant material with minerals such as silica, calcite and pyrite or another inorganic material such as opal. The result is a fossil of the original woody material that often shows preserved details of the bark, wood and cellular structures. “Agatised” wood is wood that has been replaced by agate, a form of chalcedony or microcrystalline quartz.

After about 30 to 40 minutes at the Museum, we moved onto the beach and spent nearly three hours fossicking for stones, walking eastwards right up to the end of the beach where it butts up against Banks Peninsula. We collected a few kilograms of stones, and returned the next day to collect even more. The next post will look in more detail at the variety of these stones.  

“Yellow”

“Yellow” by Coldplay

Look at the stars
Look how they shine for you
And everything you do
Yeah they were all yellow

I came along
I wrote a song for you
And all the things you do
And it was called “Yellow”

So then I took my turn
Oh what a thing to have done
And it was all yellow

Your skin
Oh yeah, your skin and bones
Turn into something beautiful
You know, you know I love you so
You know I love you so

I swam across
I jumped across for you
Oh what a thing to do
‘Cause you were all yellow

I drew a line
I drew a line for you
Oh what a thing to do
And it was all yellow

Your skin
Oh yeah your skin and bones
Turn into something beautiful
And you know
For you I’d bleed myself dry
For you I’d bleed myself dry

It’s true
Look how they shine for you
Look how they shine for you
Look how they shine for
Look how they shine for you
Look how they shine for you
Look how they shine

Look at the stars
Look how they shine for you
And all the things that you do

Second Batch of Stones Taken to Final Stage of Polishing

These stones were picked up from Riverton beaches in February this year (2016). After about five weeks of tumbling, with careful sorting to weed out stones that would not take the polish effectively, this is the result – 58 stones of various sizes, shapes and colours. I thought initially one could be an agate, which would be a rarity from Riverton beaches, but it is much more likely to be quartz.

“The song that is deep in the soul of all people…”

“Sraidean Na Roinn-Eorpa” by Runrig

Chuir mi mo chul ri Lunnainn
An samhradh air m’aodann
‘S mi air sraidean mor na Roinn-Eorpa
‘S mi le mo run, le m’anam, mo bhratach
Mo ghrian mo ghealach ur
‘S sheas mi’s na aiteachan a sheas m’athair
‘S ioma cogadh a tha ann airson saorsa
Da fhicead bliadhna’s an dileab air fhagail
Briaran do linn’s do sheorsa

Baile beag anns a’ Ghearmailt
Gruagach cho boidheach
Le suilean lan sonas is bron
Thuirt i “am bheil fhios agaibh fhein, an t-sochair
‘tha agaibh Tha eallach eachraidh air mo ghuaillan cho trom”
Chrath sinn lamhan, ‘s dh’fhalbh I a’seinn
An dan tha dcmhainn, ‘s gach anam de dhaoine
Dh’fhag mi i le blas beag de mo dhuthaich
Dh’fhag i mi leis a chompanas ur

Tha na brataich a’snamh
An cuan de dhathan
Do chanan binn an cluas na Roinn-Eorpa
Tha na sraidean beo le cainnt’s togair
Sraidean am Babel ur
‘S thusa mo run, tha cothrom mad choinneamh
Tha do chliu air ‘dhol tarsainn an cuan
Thusa tha meanbh, bi ladir, bi alainn
Taisbean do chanan, bi buan

–oOo–

TRANSLATION

“European Continent”

I have put London behind me
The summer is on my face
And I am on the big streets of Europe
With my love, my flag
My sun, and my new moon
I stood in the places where my father had stood
Many are the wars of freedom
Forty years and the legacy is still with me
The words of his kind and generation

A small town in Germany
A beautiful young girl
Her eyes full of sorrow and joy
She said “Are you aware of the privilege you enjoy
The burden of history lies heavy on my shoulders”
We shook hands, and she went on her way singing
The song that is deep in the soul of all people
I left her with a small part of my country
She left me with the fellowship of a new age

The flags are swimming
In a sea of colour
My language melodious in the ear of Europe
The streets are alive with conversation and purpose
Possibilities for a new Babel
And you my love have opportunity before you
Your renown has crossed the ocean
You that are small, be strong, be beautiful
Reveal your great language, be everlasting

 

“Scatterlings of Africa”

I can see echoes of African landscapes in this polished stone from Riverton…

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Copper sun sinking low
Scatterlings and fugitives
Hooded eyes and weary brows
Seek refuge in the night

They are the scatterlings of Africa
Each uprooted one
On the road to Phelamanga
Where the world began

I love the scatterlings of Africa
Each and every one
In their hearts a burning hunger
Beneath the copper sun

Ancient bones from Olduvai
Echoes of the very first cry
“Who made me, here and why? 
Beneath the copper sun”

African ideas, African ideas
Make the future clear, make the future clear

And we are scatterlings of Africa
Both you and I 
We run the road to Phelamanga
Beneath the copper skies

And we are scatterlings of Africa
On a journey to the stars
Far below we leave forever
Dreams of what we were

“Scatterlings of Africa” by Johnny Clegg and Juluka

As an adolescent in Johannesburg’s northern suburbs, Johnny Clegg encountered the music and dances of the city’s Zulu migrant workers. He learned the Zulu language, the maskandi guitar and the dance styles of the migrants. Clegg’s involvement with black musicians often led to arrests for trespassing on government property and for contravening the Group Areas Act. He was first arrested at the age of 15 for violating apartheid-era laws in South Africa banning people of different races from congregating together after curfew hours. He went on to record and perform with his bands Juluka and Savuka. Once, Savuka drew such a large crowd for a concert in Lyon, France, that Michael Jackson cancelled a concert there, complaining that Clegg and his group had stolen all his fans. “Scatterlings of Africa” was Clegg’s most popular international hit. I used to show the video of it in a lecture to raise questions for New Zealand about the difficulty of understanding an African setting and the meaning of an African dance, and the type of research methods needed to overcome those difficulties.